The filmвЂ™s world-building works best in small doses. In a film that plays fast and loose with NYC geography, all is forgiven by turning 175th streetвЂ™s United Palace into the вЂњTarkovsky Theater,вЂќ where people are trained to be killers in between performances of вЂњSwan Lake.вЂќ Anjelica Huston is also somewhat wasted as the matriarch of a Harlem ballet academy with ties to WickвЂ™s past, but her scenes are so immaculately shot that youвЂ™re willing to let it slide. The sequence is very вЂњJohn WickвЂќ and horribly terrific in a hand-over-your-mouth kind of way it does more than any of the tossed-off business with the Bowery King (Laurence Fishburn) or the Continental Hotel owner (Ian McShane) to whet our appetites for another adventure.

When the bullets fly, SofiaвЂ™s very good boys lend a valuable assist, and Stahelski has to open things up in order to frame the dogs as they chew on fresh corpses. There are coins and seals and lots of jibber jabber about High Table manners and then вЂњGame of ThronesвЂќ star Jerome Flynn shows up as a Bronn-like business type whoвЂ™s a bit too greedy for his own good (itвЂ™s hard to tell what accent Flynn is doing here, but heвЂ™s most definitely doing it). Wick meets up with an assassin named Sofia who owns a pair of well-trained Malinois dogs like every other supporting character in this movie, thereвЂ™s mixed blood between them, and she owes him something for some reason.

Traveling to Casablanca for reasons that are never adequately explained, Mr. Wick fights alongside Halle Berry and some four-legged sidekicks. To that end, itвЂ™s telling that the most exciting brawl in вЂњParabellumвЂќ (with the possible exception of a knife fight in a Chinatown antiques store) maintains a more expansive vision, as Mr.

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